This page serves as a comprehensive guide to the diverse world of printmaking, breaking down the key methodologies into accessible definitions. We'll explore the fundamental categories of intaglio and relief printing, highlighting the unique processes and effects each produces. Additionally, we'll delve into a range of other printmaking techniques that expand beyond these traditional classifications.
Types of Print
Intaglio Printmaking
Intaglio printmaking involves carving an image into a plate, where the recessed lines hold the ink. The resulting print is created by pressing damp paper against the inked plate, transferring the image from the carved areas.
Drypoint
A sharp needle scratches lines into a plate, creating a burr that yields velvety, soft prints.
Relief printmaking involves removing areas from a printing surface, leaving the image raised to hold ink. The inked, raised surface is then pressed against paper, transferring the image from the remaining areas.
Woodcut / Wood Engraving
Designs are carved from wood blocks, leaving raised areas to hold ink for printing.
These processes often utilise light-sensitive materials, stencils, or direct application of ink to create images. Each method allows for a distinct approach to mark-making, resulting in prints with varied textures, densities, and visual qualities.
Cyanotype
Light-sensitive chemicals create blue prints when exposed to UV light, often with botanical subjects.
